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Pan-African Connection

Bookstore and Resource Center

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BLACK-EYED PEAS AND HOGHEAD CHEESE

A STORY OF FOOD, FAMILY, AND FREEDOM

A solid overview of the history of soul food.

Achild learns about her Creole heritage through food in her grandma’s kitchen.

While Frances, a dark-skinned Black girl, helps Grandma prepare black-eyed peas, hoghead cheese, and turnip greens for New Year’s celebrations, she learns about how her enslaved ancestors created dishes from foods that were familiar to them, from foods that were given to them as scraps, from fresh harvests from their gardens, and from fishing. While helping in the kitchen and in the garden, Frances learns how these foods, which are an important part of her family’s tradition, connect them to their ancestors and their history. A second layer of text in boxes on some spreads gives readers a deeper look into the historical significance of events and foods mentioned in the story. Depictions of present-day events are richly saturated, while images of historical scenes have a sepia tint. Armand and Walthall provide a refreshingly loving portrayal of family life during the era of chattel slavery, and the juxtaposition with a modern Black American family offers a healing connection and insight. While the premise feels somewhat didactic, with a thin pretext for all the information that follows, the resulting package is worth the read. (This book was reviewed digitally.)

A solid overview of the history of soul food. (recipe for pralines, author’s note, sources, further reading) (Picture book. 4-10)

Pub Date: Sept. 6, 2022

ISBN: 978-0-593-48614-6

Page Count: 40

Publisher: Crown

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THERE’S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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